{"id":1448,"date":"2013-10-01T10:00:14","date_gmt":"2013-10-01T09:00:14","guid":{"rendered":"http:\/\/www.geraldgarcia.com\/wordpress\/?p=1448"},"modified":"2013-09-29T07:35:33","modified_gmt":"2013-09-29T06:35:33","slug":"yet-more-biberian","status":"publish","type":"post","link":"http:\/\/geraldgarcia.com\/?p=1448","title":{"rendered":"Yet more Biberian"},"content":{"rendered":"<p><strong>Sonata 3<\/strong> by <a href=\"http:\/\/www.gilbertbiberian.com\" target=\"_blank\">Gilbert Biberian<\/a> in a masterful performance by Denian Arcoleo<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignleft\" alt=\"\" src=\"http:\/\/b.vimeocdn.com\/ps\/118\/235\/1182353_300.jpg\" width=\"131\" height=\"131\" \/><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignleft\" alt=\"\" src=\"http:\/\/www.guitargallerymusic.com\/thumbnails\/thumbnails26\/564012060.GIF\" width=\"131\" height=\"180\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><!--more--><\/p>\n<p>Biberian&#8217;s Sonata in one movement, written in 1978!<\/p>\n<p><a href=\"http:\/\/geraldgarcia.com.c51.previewmysite.eu\/WPress\/wp-content\/uploads\/2013\/09\/Biberian-Sonata-3-page-0.png\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-medium wp-image-1460\" alt=\"Biberian-Sonata-3-page-#0\" src=\"http:\/\/geraldgarcia.com.c51.previewmysite.eu\/WPress\/wp-content\/uploads\/2013\/09\/Biberian-Sonata-3-page-0-222x300.png\" width=\"222\" height=\"300\" srcset=\"http:\/\/geraldgarcia.com\/WPress\/wp-content\/uploads\/2013\/09\/Biberian-Sonata-3-page-0-222x300.png 222w, http:\/\/geraldgarcia.com\/WPress\/wp-content\/uploads\/2013\/09\/Biberian-Sonata-3-page-0.png 464w\" sizes=\"(max-width: 222px) 100vw, 222px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>The composer has this to say about the piece<br \/>\n<em><strong>SONATA No.3<\/strong> is a one-movement work in which the customary three movements are condensed into one: The exposition of the first two<\/em><\/p>\n<p><em>themes, comprising the first subject group, and the developmental episode correspond to the first movement;\u00a0<\/em><br \/>\n<em>the slow, chordal second subject acts as a stow movement; and the recapitulation-cum-development (note the alternation of the first two themes) reflects the last movement. The coda consists of the last 7 bars.<\/em><br \/>\n<em>The reason for the absence of time signatures is to force the eye to read in phrases and to make the player conscious of note values and\u00a0<\/em><em>durations.\u00a0<\/em><br \/>\n<em>The phrase mark has a dual meaning: legato and agogic. The agogic must be interpreted as a more fluid tempo within which notes are placed closer to one another (even when the slur or phrase mask only two notes).\u00a0<\/em><br \/>\n<em>Long groups of grace notes must be played before the beat; when they are appended to a double-stop the bass is played with them.\u00a0<\/em><br \/>\n<em>Articulation marks such as slurs, accents staccati etc. must be observed carefully and nothing more should be added.\u00a0<\/em><br \/>\n<em>The fingerings have been devised to serve fully the character of each\u00a0<\/em><br \/>\n<em>phrase and must not be altered.\u00a0<\/em><br \/>\n<em>The abbreviation LV. stands for &#8220;Laissez Vibrer&#8221;, i.e. allow the\u00a0<\/em><em>notes to ring on.\u00a0<\/em><br \/>\n<em>Gilbert Biberian,\u00a0<\/em><br \/>\n<em>August, 1978\u00a0<\/em><br \/>\n<em>London.<\/em><\/p>\n<p><iframe loading=\"lazy\" width=\"584\" height=\"438\" src=\"http:\/\/www.youtube.com\/embed\/YdWAVlRGGMA?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>Denian has also recorded Gilbert&#8217;s Preludes &#8211; fantastic performance. <a href=\"http:\/\/www.amazon.co.uk\/gp\/product\/B002V587JI\/ref=dm_sp_alb\" target=\"_blank\">Get them here<\/a><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone\" alt=\"\" src=\"http:\/\/ecx.images-amazon.com\/images\/I\/513c9Fck14L._SL500_AA280_.jpg\" width=\"280\" height=\"280\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sonata 3 by Gilbert Biberian in a masterful performance by Denian Arcoleo &nbsp;<\/p>\n","protected":false},"author":1,"featured_media":247767,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[11,77],"tags":[58,450,61],"_links":{"self":[{"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=\/wp\/v2\/posts\/1448"}],"collection":[{"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1448"}],"version-history":[{"count":10,"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=\/wp\/v2\/posts\/1448\/revisions"}],"predecessor-version":[{"id":1463,"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=\/wp\/v2\/posts\/1448\/revisions\/1463"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=\/wp\/v2\/media\/247767"}],"wp:attachment":[{"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1448"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1448"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1448"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}