{"id":1697,"date":"2013-10-11T17:20:28","date_gmt":"2013-10-11T16:20:28","guid":{"rendered":"http:\/\/www.geraldgarcia.com\/wordpress\/?p=1697"},"modified":"2013-10-12T07:58:10","modified_gmt":"2013-10-12T06:58:10","slug":"433","status":"publish","type":"post","link":"http:\/\/geraldgarcia.com\/?p=1697","title":{"rendered":"4’33”"},"content":{"rendered":"

\"\"\"\"I imagine that any comment should be superfluous, but just in case you wondered, the Museum of Modern Art will exhibit<\/a> Cage\u2019s 1952 score \u201c4\u201933\u201d<\/em> (In Proportional Notation) will be exhibiting this famous piece this month.<\/p>\n

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Rather than try to analyse this as a high falutin’ joke, or a comment on post modernist art, this recalls a story by Zen teacher D.T.Suzuki-
\n“In China there was a man named Seko, who loved dragons. All his scrolls were dragons, he designed his house like a dragon-house, and he had many pictures of dragons. So the real dragon thought, \u201cIf I appear in his house, he will be very pleased.\u201d So one day the real dragon appeared in his room and Seko was very scared of it. He almost drew his sword and killed the real dragon. The dragon cried, \u201cOh my!\u201d and hurriedly escaped from Seko\u2019s room. Dogen Zenji says, \u201cDon\u2019t be like that.\u201d <\/em><\/p>\n

I remember a performance we did in Iserlohn<\/a> with guitar ensemble, where a mobile phone went off and Apostolos Paraskevas<\/a>, who was conducting, answered this insistent interruption, turned to the audience and announced that the composer was very happy with the performance so far…<\/p>\n

More pages of the score are here<\/a> – note that on page 4<\/a> Cage has given us an indication of tempo – \u201c1 page=7 inches=56 seconds.\u201d<\/p>\n

Read the full article with Youtube video<\/strong> on Openculture<\/a>
\nVideo of John Cage on the Ed Sullivan Show
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