{"id":379,"date":"2013-07-10T15:57:53","date_gmt":"2013-07-10T15:57:53","guid":{"rendered":"http:\/\/www.geraldgarcia.com\/wordpress\/?p=379"},"modified":"2013-07-10T17:34:53","modified_gmt":"2013-07-10T17:34:53","slug":"goss-triple-orpheus-sinfonia-grand-finale-july-11th","status":"publish","type":"post","link":"http:\/\/geraldgarcia.com\/?p=379","title":{"rendered":"Goss Triple, Orpheus Sinfonia Grand Finale, July 11th 2013"},"content":{"rendered":"

This is a bit late, but Steve Goss, guitar composer hero has a performance of his Triple Concerto for Sax, Cello, Piano and Orchestra tomorrow at the Cadogan Hall<\/a>, London SW1x 9DQ. <\/em>
\nIt is written for the Orpheus Sinfonia, of which he has been composer-in-residence and this concert also features Beethoven’s 9th.
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\nOf the Concerto, he says “<\/em>The solo parts are part-composed, part-devised and part-improvised. The piece transforms pre-existing music in unexpected ways.” Sounds definitely worth listening to.<\/em><\/p>\n

\"S

Stephen Goss and Orpheus Sinfonia<\/p><\/div>\n


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Learn more here in a great\u00a0interview<\/a>\u00a0by Fran Wilson.<\/em><\/p>\n

I met Steve when he was a student many years ago. He had very short hair in those days and fell prey to a trick at a summer school run by Steve Gordon<\/a> at Prussia Cove, Cornwall The trick involved his performance of Britten’s Nocturnal and a piece of rubber… \u00a0so he’s a good sport as well as everything else.\u00a0<\/em>Subsequent antics caused the Summer School to close down, possibly involving the same piece of rubber…\u00a0<\/em><\/p>\n

Since then, he has written what I consider a masterly piece on the Nocturnal entitled “Come Heavy Sleep, Motive and Metaphor in Britten’s Nocturnal Op.70”
\nBelow is the link to a PDF file, which every guitarist should read and learn from. When did you last use the word\u00a0<\/em>pathopoeia in an essay<\/em>?\u00a0Have you inadvertently used <\/em>auxesis\u00a0in\u00a0<\/em>conversation?
\nFind the answers to these questions and more in<\/i>
\nCome Heavy Sleep, Motive and Metaphor in Britten’s Nocturnal Op.70<\/em>
\n<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

This is a bit late, but Steve Goss, guitar composer hero has a performance of his Triple Concerto for Sax, Cello, Piano and Orchestra tomorrow at the Cadogan Hall, London SW1x 9DQ. It is written for the Orpheus Sinfonia, of … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":247767,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[11,4,77],"tags":[115,113,976,111,110,116,114,108,112],"_links":{"self":[{"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=\/wp\/v2\/posts\/379"}],"collection":[{"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=379"}],"version-history":[{"count":16,"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=\/wp\/v2\/posts\/379\/revisions"}],"predecessor-version":[{"id":385,"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=\/wp\/v2\/posts\/379\/revisions\/385"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=\/wp\/v2\/media\/247767"}],"wp:attachment":[{"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=379"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=379"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=379"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}