{"id":7880,"date":"2014-06-03T01:59:06","date_gmt":"2014-06-03T00:59:06","guid":{"rendered":"http:\/\/www.geraldgarcia.com\/wordpress\/?p=7880"},"modified":"2014-06-04T01:44:56","modified_gmt":"2014-06-04T00:44:56","slug":"heitor-villa-lobos-another-website","status":"publish","type":"post","link":"http:\/\/geraldgarcia.com\/?p=7880","title":{"rendered":"Heitor Villa Lobos &#8211; another website"},"content":{"rendered":"<p><a href=\"http:\/\/villalobos.iu.edu\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone\" alt=\"\" src=\"http:\/\/villalobos.iu.edu\/files\/banner\/villa_lobos_A.jpg\" width=\"770\" height=\"488\" \/><\/a><\/p>\n<p>This is a nice site in English hosted by <a href=\"http:\/\/villalobos.iu.edu\" target=\"_blank\">Indiana University<br \/>\n<\/a>It is still quite new, but there are interesting sections, such as one on <a href=\"http:\/\/villalobos.iu.edu\/lost-scores\" target=\"_blank\">lost scores<\/a>, probably quite a common occurrence with Villa Lobos.<br \/>\nThe Guitar\u00a0Prelude #6, A Prole do Bebe suite #3, and the two Choros are possibly amongst the scores Villa-Lobos left with his Parisian concierge when he left for Brazil in 1930.\u00a0 Anna Stella Schic tells the story on pp. 94-95 of\u00a0<i>Villa-Lobos,<\/i>\u00a0<i>Souvenirs de l&#8217;indien blanc<\/i>\u00a0(Paris: Actes Sud, 1987.)\u00a0 Schic doesn&#8217;t seem too worried about the lost works, though.<\/p>\n<p><i>&#8220;Mais la prolixit\u00e9 de Villa-Lobos \u00e9tait telle que ce v\u00e9ritable torrent de musique n&#8217;a jamais sembl\u00e9 s&#8217;en affecter outre mesure : il \u00e9crivait d\u00e9j\u00e0 les oeuvres suivantes&#8230;&#8221;<\/i><\/p>\n<p>There is also a <a href=\"http:\/\/villalobos.iu.edu\/VLworks-cat\" target=\"_blank\">comprehensive database of works<\/a>\u00a0and links to the <a href=\"http:\/\/villa-lobos.blogspot.co.uk\" target=\"_blank\">Villa Lobos Magazine<\/a>\u00a0and the <a href=\"http:\/\/villa-http:\/\/www.museusdorio.com.br\/joomla\/index.php?option=com_k2&amp;view=item&amp;id=86:museu-villa-lobos-mvl&amp;Itemid=234\" target=\"_blank\">Villa Lobos Museum<\/a>, whose site seems to be down, unfortunately.<\/p>\n<p>Other links:<br \/>\n<a href=\"http:\/\/andysummers.com\/writing\/articles\/interviews\/\" target=\"_blank\"><br \/>\nHere&#8217;s an interview with Andy Summers of the Police<\/a> at the Villa Lobos Museum.<\/p>\n<p>And here are rather famous clips of Villa Lobos playing his Prelude no.1 and Choro no.1<br \/>\n<iframe loading=\"lazy\" width=\"584\" height=\"438\" src=\"http:\/\/www.youtube.com\/embed\/KLbZLmIhggA?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><br \/>\n<iframe loading=\"lazy\" width=\"584\" height=\"438\" src=\"http:\/\/www.youtube.com\/embed\/UZkEYK4WKKg?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>I also managed to get<a href=\"https:\/\/itunes.apple.com\/gb\/album\/villa-lobos-plays-villa-lobos\/id539585368\" target=\"_blank\"> this iTunes download of Villa Lobos playing<br \/>\n<\/a><\/p>\n<p>Here is a review of that CD by Uncle Dave Lewis at Allmusic.com<br \/>\n<a href=\"Villa Lobos plays Villa Lobos\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-7904\" alt=\"Screen Shot 2014-05-14 at 04.08.50\" src=\"http:\/\/geraldgarcia.com.c51.previewmysite.eu\/WPress\/wp-content\/uploads\/Screen-Shot-2014-05-14-at-04.08.50-300x296.png\" width=\"300\" height=\"296\" srcset=\"http:\/\/geraldgarcia.com\/WPress\/wp-content\/uploads\/Screen-Shot-2014-05-14-at-04.08.50-300x296.png 300w, http:\/\/geraldgarcia.com\/WPress\/wp-content\/uploads\/Screen-Shot-2014-05-14-at-04.08.50-128x126.png 128w, http:\/\/geraldgarcia.com\/WPress\/wp-content\/uploads\/Screen-Shot-2014-05-14-at-04.08.50-250x246.png 250w, http:\/\/geraldgarcia.com\/WPress\/wp-content\/uploads\/Screen-Shot-2014-05-14-at-04.08.50-303x300.png 303w, http:\/\/geraldgarcia.com\/WPress\/wp-content\/uploads\/Screen-Shot-2014-05-14-at-04.08.50.png 796w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<blockquote>\n<h1>Villa-Lobos plays Villa-Lobos<\/h1>\n<p><cite>by Uncle Dave Lewis,\u00a0<a href=\"http:\/\/allmusic.com\/\">allmusic.com<\/a><\/cite><\/p><\/blockquote>\n<div id=\"RIL_body\">\n<div id=\"RIL_less\">\n<blockquote><p>Sanctus&#8217; Villa-Lobos plays Villa-Lobos focuses not on recordings composer\u00a0<a href=\"http:\/\/www.allmusic.com\/artist\/heitor-villa-lobos-mn0000820274\">Heitor Villa-Lobos<\/a>\u00a0made late in life already collected in the EMI box set Villa-Lobos par lui m\u00eame, but on items belonging to the\u00a0<a href=\"http:\/\/www.allmusic.com\/artist\/villa-lobos-mn0000820274\">Villa-Lobos<\/a>\u00a0museum in Rio de Janiero. Recorded &#8220;between the mid-1920s to the early 1940s&#8221; although &#8220;no recording dates or venues could be found,&#8221; it appears the bulk of the collection was recorded by the Reichs-Rundfunk-Gesellschaft while<a href=\"http:\/\/www.allmusic.com\/artist\/villa-lobos-mn0000820274\">Villa-Lobos<\/a>\u00a0was visiting Berlin in 1936. German soprano\u00a0<a href=\"http:\/\/www.allmusic.com\/artist\/beate-rosenkreutzer-mn0001719045\">Beate Rosenkreutzer<\/a>\u00a0sings a selection of\u00a0<a href=\"http:\/\/www.allmusic.com\/artist\/villa-lobos-mn0000820274\">Villa-Lobos<\/a>&#8216; songs with the composer at the piano, he plays some piano solos that demonstrate his amazing, self-taught ability and, most importantly, plays a couple of guitar solos, an instrument on which\u00a0<a href=\"http:\/\/www.allmusic.com\/artist\/villa-lobos-mn0000820274\">Villa-Lobos<\/a>\u00a0considered himself skilled; this proves he certainly was so. The disc is filled out with a nearly 20-minute-long lecture in Portuguese that sounds like it is taken from the radio; as no transcription of the talk is provided, if you cannot speak Portuguese this will not be useful to you, although it can be interesting to hear<a href=\"http:\/\/www.allmusic.com\/artist\/villa-lobos-mn0000820274\">Villa-Lobos<\/a>&#8216; slow speech cadences.\u00a0<a href=\"http:\/\/www.allmusic.com\/artist\/rosenkreutzer-mn0001719045\">Rosenkreutzer<\/a>\u00a0delivers an amazingly idiomatic performance of\u00a0<a href=\"http:\/\/www.allmusic.com\/artist\/villa-lobos-mn0000820274\">Villa-Lobos<\/a>&#8216; Portuguese songs, and it appears that these are the only recordings made of this mega-obscure singer.<\/p>\n<p>There is a BIG disadvantage to this disc, and that is through the heavy-handed and amateurish use of noise reduction software in the restoration. These recordings &#8212; save the lecture &#8212; are in poor condition, and if they indeed originate from\u00a0<a href=\"http:\/\/www.allmusic.com\/artist\/villa-lobos-mn0000820274\">Villa-Lobos<\/a>&#8216; private collection, apparently he &#8212; like\u00a0<a href=\"http:\/\/www.allmusic.com\/artist\/george-gershwin-mn0000197918\">George Gershwin<\/a>\u00a0&#8212; enjoyed listening to his own recordings over and over, gradually wearing them out. As in the case of\u00a0<a href=\"http:\/\/www.allmusic.com\/artist\/gershwin-mn0000197918\">Gershwin<\/a>, the recreation of the composer has led to a sad sonic situation for posterity, and Sanctus processes these artifacts so heavily that irremovable pops and digs in the surfaces of these archival discs sound as though amplified 20 times and played back through the Palace of Versailles; it is a completely substandard and irresponsible transfer. Moreover, by virtue of a little exchange of data with others in the field of 78-era scholarship, Sanctus probably could have isolated even some general information that would have nailed down the approximate dates and likely provenance of these recordings, but they choose not to. The EMI set primarily emphasizes the aging\u00a0<a href=\"http:\/\/www.allmusic.com\/artist\/villa-lobos-mn0000820274\">Villa-Lobos<\/a>\u00a0as a haphazard conductor of his own massive orchestral works, which does little to dispel the view of him as an eccentric autodidact, often cultivated by those on the receiving end of\u00a0<a href=\"http:\/\/www.allmusic.com\/artist\/villa-lobos-mn0000820274\">Villa-Lobos<\/a>&#8216; scores. The material here establishes\u00a0<a href=\"http:\/\/www.allmusic.com\/artist\/heitor-villa-lobos-mn0000820274\">Heitor Villa-Lobos<\/a>\u00a0as a highly skilled instrumentalis; however, such facility was gained, and the inept handling of the digital transfers, rather than sealing the deal, more or less completely blows it.<\/p><\/blockquote>\n<\/div>\n<\/div>\n<p>Have fun and\u00a0do let me know if anyone finds the 6th guitar prelude, won&#8217;t you?<br \/>\nThe following is the story<\/p>\n<blockquote><p>During his years in Uruguay Segovia made several trips to Brazil, where he was able to meet with Villa-Lobos and further strengthen their rapport. In a letter dated 22 October 1940 from Montevideo to his friend and composer Manuel Maria Ponce, Segovia wrote:\u00a0&#8220;Villa-Lobos [&#8230;] came to my home with six guitar preludes dedicated to me, which, together with the previous twelve studies, make a total of sixteen pieces. In all this bulge of compositions the only valid one, believe me, is the study in E major that you heard me studying when I was with you. One of this last batch that he tried to play himself is deathly boring. He tries to imitate Bach, and the third part of a descending sequence &#8211; in other words, a regression &#8211; at the beginning is truly ridiculous&#8230; At that point I couldn&#8217;t resist the temptation to show him the suite in A minor that you had written for me&#8230;&#8221; The Segovia-Ponce Letters, ed. Miguel Alcazar, trans. Peter Segal (Editions Orph\u00e9e, Columbus, 1989, p. 211)<br \/>\nIn the above-mentioned letter to Ponce, Segovia mentioned six preludes, thus sparking debate over the supposed existence of a Sixth Prelude. According to Turibio Santos, the Brazilian concert guitarist and since 1986 director of the Museu Villa-Lobos in Rio de Janeiro, Villa-Lobos had told him of the existence and eventual disappearence of this piece. In his book Santos also reproduces a list of Villa-Lobos&#8217; works for and with the guitar compiled by musicologist Herm\u00ednio Bello de Carvalho, who confirms this claim and adds that pianist Jos\u00e9 Vieira Brand\u00e3o had apparently even seen a copy of this Sixth Prelude:\u00a0&#8220;A short time ago, I was utterly astonished when Vieira Brand\u00e3o told me that he thought he had seen a copy of it. Maestro Villa-Lobos described the sixth prelude as &#8216;the finest of them all&#8217;.&#8221;\u00a0Jos\u00e9 Vieira Brand\u00e3o is the author of the piano transcription of Cinq Pr\u00e9ludes for guitar.<\/p>\n<p>Nonetheless these reports, largely originating many years after the death of Villa-Lobos, are anecdotal and lack documentation of any kind. Even the oldest of them, Segovia&#8217;s letter to Ponce from 1940, hardly proves the existence of a Sixth Prelude, since his reference to six preludes is surrounded by other unreliable statements, such as the mathematical sum of pieces (12 + 6 = 16!) and his completely unsubstained claim that they were dedicated to him.<\/p><\/blockquote>\n<p><i>\u00a0<\/i>\u00a0<img decoding=\"async\" loading=\"lazy\" class=\"alignnone\" alt=\"\" src=\"http:\/\/villalobos.iu.edu\/files\/banner\/5239272-villa-lobos-on-500-cruzados-1987-banknote-from-brazil-music-composer-refered-as-the-single-most-sign3.jpg\" width=\"770\" height=\"488\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This is a nice site in English hosted by Indiana University It is still quite new, but there are interesting sections, such as one on lost scores, probably quite a common occurrence with Villa Lobos. The Guitar\u00a0Prelude #6, A Prole &hellip; <a href=\"http:\/\/geraldgarcia.com\/?p=7880\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":7904,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[312,572,11,77],"tags":[787,789,788,271],"_links":{"self":[{"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=\/wp\/v2\/posts\/7880"}],"collection":[{"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7880"}],"version-history":[{"count":10,"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=\/wp\/v2\/posts\/7880\/revisions"}],"predecessor-version":[{"id":9171,"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=\/wp\/v2\/posts\/7880\/revisions\/9171"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=\/wp\/v2\/media\/7904"}],"wp:attachment":[{"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7880"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7880"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/geraldgarcia.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7880"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}