Music touches places nothing else can reach

In its onward march, science is always trampling over folk-wisdom. But sometimes a piece of research comes along which shows folk-wisdom might have a point after all. There’s been one in the past week, in a paper given at the European Society of Cardiology Annual Conference in Amsterdam. Professor Deljanin and her colleagues in Belgrade discovered a 19% improvement in a vital bit of heart tissue in patients with coronary artery disease, when they listened to their favourite music,

…We are not brains in vats, we are embodied creatures, and ‘mind’ – that is, the experience of being a living, feeling thing – is surely spread out through that body. In any case, the musical experience doesn’t stop at the boundary of the individual person. Music is a social thing, connected to dancing and singing. It becomes most vividly alive in those moments when we do it, rather than passively witness it, says Ivan Hewett

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Thanks to Alison Smith for bringing this to my attention

More Finnish touches

Following hard on the the heels of  works by KORPIJAAKKO, there is another Finnish Guitar Concerto recording – in fact, world première recordings of two Guitar Concertos: one by Kimmo Hakola and the other by Toshio Hosokawa. These are performed by Timo Korhonen – the guitarist for whom the concertos were written – and the Oulu Symphony Orchestra conducted by Santtu-Matias Rouvali.

 

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“If you paint your village, you paint the whole world”

imageBerta Rojas‘ new album “Salsa Roja” was released last month, paying tribute to her beloved Latin America. But what makes this collection of music extra special is the collaboration with the Recycled Instruments Orchestra of Cateura — or Landfill Harmonic Orchestra — a 19-member ensemble comprised of children from Asunción, Paraguay who perform using instruments they have built from recycled trash. Berta is also working to design what she hopes will be the Cateura Music School, the town’s very first music school with real instruments.

In case you didn’t catch it, this heartwarming video is a backstage look at the project she was involved in, in her native Paraguay, with composer and conductor Edín Solís and the children of Loma San Jerónimo. Continue reading

The Midst of Life’ A Hearty Celebration of the Life and Music of STEPHEN DODGSON (1924-2013)

The Midst of Life: Celebrating the Life and Music of Stephen Dodgson

MAE Foundation

Thursday, October 3, 2013 from 7:30 PM to 9:30 PM (BST)

London, United Kingdom

featuring

The Tippett String QuartetMAE Foundation
John Williams (guitar)
Maggie Cole (harpsichord)
Richard Harvey (recorder)
Anna Noakes (flute)
Gillian Tingay (harp)
Zone 6 Brass Quintet
Roger Chase (viola)
Benedict Cruft (violin)
Brian Gulland (bassoon)
Tom Ellis (guitar)
and more… subject to availability

The Tippett String Quartet, who have recorded all nine of Stephen Dodgson’s quartets, and John Williams, who has played his music for 57 years, lead this wide-ranging celebration of his life and work.

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Reißiger’s Waltz

When Carl Maria von Weber died in 1826, amongst his belongings was a manuscript which came to be known as “Weber’s Last Waltz” although it was actually by Carl Gottlieb Reißiger an ex-student of Salieri who succeeded Weber as Kappellmeister at the court of Dresden.
This waltz became extremely popular amongst pianists, and is primarily of interest to guitarists because it was the favourite piece of the eponymous Roderick Usher of Poe’s “Fall of the House of Usher”
“his heart is a suspended lute, as soon as it is touched, it resounds” -quote from “Le Refus” (1831) by the French songwriter Pierre-Jean de Béranger (1780–1857)

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New book on Bach reveals the abuse and thuggish behaviour he probably received at school

Sir John Eliot Gardiner’s new biography of JS Bach Music in the Castle of Heaven shows a different world to the distant, sanitised one we are often presented with when we hear about the composer.

imageArchival sources, including school inspector reports, reveal that Bach’s education was troubled by gang warfare and bullying, sadism and sodomy – as well as his own extensive truancy.

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D’Addario Foundation presents young artists at Carnegie Hall

imageTwo young classical guitar prodigies, Junhong Kuang and Celil Refik Kaya, are set to perform at the Carnegie Hall.
The concert will open on Thursday, October 17, featuring two performers – Junhong Kuang and Celil Refik Kaya. The event will be Mr. Kaya’s Carnegie Hall debut, he is also set to play a new piece written for him by famed Argentinian classical guitarist and composer, Jorge Morel. The event will also add “playing at the Carnegie Hall” to the young Junhong Kuang’s experience.

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The History of the Guitar in Brazil with Fabio Zanon

Pioneers, Creators and Performers
For three years from 2006, Radio Cultura FM broadcast a weekly program with Fabio Zanon .
After 13 initial episodes dedicated to the series The Spanish Guitar in the Twentieth Century, Fabio focuses on the history of the guitar in Brazil.
This series of 148 programs covers the rich universe of Brazilian guitar. The guitar’s main characters are the protagonists in these programs illustrated with rare recordings and exclusive interviews.
The starting point for this series is the article by Fabio, The guitar in Brazil after Villa-Lobos.

Unfortunately, you might have to work to get the downloads, but if you succeed, this is a treasure trove of the history of ther guitar in Brazil, featuring most, if not all, the important Brazilian guitarists after Villa Lobos.
Knowing how to understand Brazilian is definitely a help!
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The Brazilian programmes

Fabio’s series on the Spanish Guitar in the XXth Century

The Art of the Guitar

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Julian Bream on his legendary career: “I never listen to my own recordings!”

The legendary guitarist is announced as the winner of the Lifetime Achievement Award ahead of the star-studded ceremony at LSO St Luke’s, London, this evening.

Born in London in 1933, Julian was inspired to pick up the guitar by his jazz-loving father. He’s gone on to become an advocate for lute, bringing the instrument into public consciousness, as well as the classical guitar.


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