Changsha Festival 2020

I’ve been fortunate enough to have been invited 3 years in a row and the dates and registration details for the 2020 festival are here. Owing to the pandemic, some of the festival will be held online.

There’s also an article below about past festivals by the estimable Steve Mann and links to various performances and media.

Registration start date:Sept. 30, 2020

Preliminary round video submission deadline: Nov. 15, 2020

Notification of finalists : Nov. 30, 2020

Open group final round video submission deadline: Dec. 17, 2020

Youth group final round video submission deadline: Dec. 10, 2020

Children group A & B final round video submission deadline: Dec. 10, 2020

Price of registration is $10. 

More information can be found on the official website: http://guitar.org.cn/ 

Article by Steve Mann

Changsha Guitar Festival: what is it and what does it mean?

At first this seems like an easy question: various guitar competitions with national and international guests giving concerts, lectures and master classes for the duration of about a week in the city of Changsha, southern China.

On a certain level this is true, but the more I think about it the more I realize it is so much more and that it means very different things to different people.

To start with something that I know a bit about, I can say what the festival means to me. I first went to Changsha in 2015 to help write articles on the event.

I was impressed with the atmosphere, which felt like a cross between a symposium, a set of music concerts, a party and a ‘Chinese style fun for all the family’ competition.

There were many fascinating and well known guests there that year, but I was somewhat in awe of one of them in particular – Roland Dyens.

With Roland being fresh off the plane, and looking quite grumpy, I didn’t quite know how to approach him to ask him questions for the articles I was writing. When I saw him in the breakfast the next day he was working on his laptop and so I sat with some of the other guests. He then came over and showed us what he had been ‘working on’. One of his friends had copied a picture of him having just got off the airplane in Changsha and pasted it next to a scruffy fugitive off some international wanted list! We all laughed hysterically. (In all honesty there was quite a bit of similarity between the two photos). At that point I realized that he was a wonderful talented human being, but with his own unique skills, quirks and charm. In many ways Changsha guitar festival is like this for me; it is a place where these great artists that we hold in high esteem can meet and be part of a grassroots development of the guitar in fun friendly way, with its own unique characteristics.

Festival organisers and friends

Over the years, I have got to know the organizers, helpers and regular attendees at the festival and I am aware of the massive investment of time, money and energy that goes in to this event.

For them the meaning of the Changsha Guitar Festival is probably something much more personal with the main organizers Mr Li and Xuefei Yang working around the clock to make the festival each year better than the last. The logistics and organizational skills required for arranging such an event are vast, with guests, competitors and sponsors all needing to be taken care of. Both organizers put a lot of skin in the game and they always go the extra mile, with Mr. Li’s team doing anything they can to make people welcome, such as helping one of the international competitors to find an artificial nail at 10 o’clock at night.

https://www.youtube.com/watch?v=eaaJyc5Hy98

(Xuefei Video: A Moonlit Evening on the Spring River for Classical Guitar and Chinese Flute)

As for the competitors and guests (Gerald has visited three times), they all have their own individual reasons for visiting. Although I do not know these reasons, I see people leaving the festival with faces that show they have had a wonderful time there.

https://www.youtube.com/watch?v=YmFc7xnT2UE

https://www.youtube.com/watch?v=Cd6xBhmDxH8

Interview with guests: Johan Smith and Lazhar Cherouana

Regarding the 2020 Changsha Guitar Festival, due to the pandemic situation it will be held later this year with a part held at the Changsha venue and a significant part held online.

The details have finally been fixed but please feel free to check in with the festival website given below.

Vsit here for the official Changsha Guitar Festival Website:

http://guitar.org.cn/

More videos can be found on the official YouTube channel:

https://www.youtube.com/channel/UC64XKw_Qs_ApWfaCeO8E0cA

Here are some happy moments from past years

Berta Rojas and Xue Fei Yang
Kenneth Kwan, Ben Verdery, Xue Fei, Mark Eden, Ekachai Jearakul
Xue Fei, Paolo Pugliese, Clive Carroll
Damon Smallman and Ingrid Riollot
Raphael Feuillatre and Jihyung Park
The team of helpers
Mr.Li with young players
Cheers!

BYGO with Craig Ogden at the Newbury Festival

Group with GG SC AB CO

Gerald, Steve Christmas, Alison Bendy and Craig

Steve C and Craig

Steve Christmas and Craig Ogden

BYGO and Craig

Craig Ogden and BYGO

Family Concert with Craig Ogden and the Berkshire Youth Guitar Orchestra Sunday 11th May

Under the direction of Steve Christmas and Berkshire Maestros BYGO has established a national and indeed international reputation for excellence.
This was their Festival debut with star soloist Craig Ogden.

The BYGO played South American Dances by Ginastera and Rodriguez, Irish Folk Songs and three Gershwin Preludes. Craig’s solo pieces were by Gary Ryan, Albeniz and Tarrega and Craig and the BYGO came together to play Gerald Garcia’s Le Grazie Concerto for guitar and guitar orchestra.

This was a fine performance under the sure baton of Steve Christmas.
Craig played two pieces by Gary Ryan, including the ubiquitous “Rondo Rodeo” (probably the definitive performance!), and also “Recuerdos de la Alhambra”, “Asturias” and “Sevilla” – squarely aimed at a family audience then!
The orchestra played Gershwin, Ginastera, a duple of Irish arrangements and Le Grazie.
In all, a brilliant performance by any standard from both the soloist and the ensemble.
The video clip below is of an excerpt of their encore of the first movement of Le Grazie.

Le Grazie was originally written for string trio (2 violins and Cello) and guitar as a companion to the Vivaldi D major “lute” concerto.
It was originally performed by its dedicatee Alison Bendy with students from Wheatley Park School in 2001 and has since been a favourite at summer schools in an arrangement for solo guitar and guitar orchestra. It has been performed numerous times all over the world and was conducted by the composer in the 2nd Swedish “Guitar instead of Guns” Gala in 2002 with, amongst others Zoran Dukic, Roland Dyens and Wolfgang Lendle in the orchestra!

It is in three movements in the form of an Italian concerto and the movements are :
Night Sounds (tempo di boogie woogie – homage to Fats Waller)
Clear Day (homage to Vivaldi)
Star Rise (homage to Michael Tippett)

Greater than the sum of its parts

I happen to think that the sound of a guitar orchestra is special, that it is a sound world of its own and there is a sound that no other instruments en masse can reproduce.
There are many who disagree with me, who, through experience of bad ensembles, think that guitar orchestra is synonymous with out of tune, imprecise, unmusical quasi-ensemble.
Duelling Guitars

 

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NYGE 2013

On the final leg of my summer school/teaching junket, it’s yet another acronym but one that many are familiar with – the National Youth Guitar Ensemble, which I have been conducting since 2005 when arranger and 19thC guitar supremo Chris Susans stepped down in order to be administrator.
NYGE poster

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When Choirs Sing, Many Hearts Beat As One

When Choirs Sing, Many Hearts Beat As One
“it took almost no time at all for the singers’ heart rates to become synchronized. The readout from the pulse monitors starts as a jumble of jagged lines, but quickly becomes a series of uniform peaks. The heart rates fall into a shared rhythm guided by the song’s tempo

This has been around a while now, but is still interesting. I wonder if anyone has measured heart rates of supporters at a football or tennis match.
Do guitar ensemble players live longer than soloists? (Only if they follow the conductor!)
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