King and the Pope

A little late to the party, but I would like to add my little tribute.

 

How the church encouraged the blues

A report in MTV News last December
December 19 [12:00 EDT] — B.B. King will be presenting his trademark guitar, the legendary “Lucille,” to Pope John Paul II following a performance at the Vatican on Friday, December 19, according to reports by Reuters and the AP.

Which “Lucille” this is was not noted (the original “Lucille” is long gone, and the blues guitar legend has had a few subsequent axes over the years that have borne the name in turn), but B.B. King’s signature Gibson guitar has been by his side for close to half a century.

“Meeting the pope will be a very emotional experience for me, it will be electrifying,” King told reporters. The performance, at the Pope’s annual Christmas concert, will be taking place at the Paul VI Auditorium, the usual scene of the Pope’s public audiences. King, 72, will have an audience with the Pontiff in advance of the show.

AP reports that the concert is to raise money to build 50 new churches on the outskirts of Rome. King will be joined by fellow American
Chaka Khan, the Portuguese group Madredeus and France’s Mireille Mathieu.

The Pope is becoming a regular rock fan. He met folk-rocker Bob Dylan at a concert in September.

 

Capo Fail – Boris rides again

  

You have probably come across this already, but I just saw it on a Chinese website and thought it was quite funny, what with the elections looming.

Can you spot the non-deliberate error?

Here is an associated article in the Daily Telegraph

The Mayor of London has told an audience of young people that his biggest regret in life is failing to make it as a famous rock musician. 

He said: “I think I regret bitterly, I still regret, my failure to get anywhere as a rock star and a player of the guitar. I tried at school to master the guitar with a view to becoming a famous … and it was hopeless. And I thought, right well I’ll master the piano and that went even worse.”

Maybe these guys should have stuck to playing the guitar…

   

 

How to play fast passages without tension

Interesting article in The Strad by cellist Tsuyoshi Tsutsumi.
Although aimed mainly at bowed instrument players, a lot will apply to guitarists as well.

Everyone has the ability to play quickly, but it must be discovered and developed. It is not only a matter of moving quickly, but also of forming a sense of anticipation and the ability to think quickly.

More at The Strad

National Youth Guitar Ensemble play original music at SJE

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The National Youth Guitar Ensemble are performing at St.John the Evangelist, Oxford,UK on the 9th of April 2015.

The programme will consist of original compositions for guitar ensemble including:

Leo Brouwer – Acerca del cielo, el aire y la sonrisa

Gary Ryan – Flower of the Field

Shingo Fujii – Quatro Ritornelli

Gerald Garcia/Mozart – Wiegen and K.546

Carlo Domeniconi – Oyun

Celso Machado – Folguedo

Previous to this concert they will be playing on 8th April, 6.00pm at the Thomson Hall in Abbots Bromley School, Stafford.

8 things top practisers do differently

This article in Creativity Post comes up with some surprising and useful results for all who play an instrument.

The research led by Robert Duke at the University of Texas, Austin was done on pianists, but would equally apply to guitarists.

The researchers note that the most striking difference between the top three pianists and the rest, was how they handled mistakes. It’s not that the top pianists made fewer mistakes in the beginning and simply had an easier time learning the passage. The top pianists made mistakes too, but they managed to correct their errors in such a way that helped them avoid making the same mistakes over and over, leading to a higher proportion of correct trials overall. And one to rule them all The top performers utilized a variety of error-correction methods, such as playing with one hand alone, or playing just part of the excerpt, but there was one strategy that seemed to be the most impactful. Strategically slowing things down. After making a mistake, the top performers would play the passage again, but slow down or hesitate – without stopping – right before the place where they made a mistake the previous time. This seemed to allow them to play the challenging section more accurately, and presumably coordinate the correct motor movements at a tempo they could handle, rather than continuing to make mistakes and failing to identify the precise nature of the mistake, the underlying technical problem, and what they ought to do differently in the next trial. The one-sentence summary “Success does not consist in never making mistakes but in never making the same one a second time.” -George Bernard Shaw

– See more at: http://www.creativitypost.com/psychology/8_things_top_practicers_do_differently#sthash.6IBDmP3Y.dpuf

Music for a movie

Some time ago, Les Frères Méduses, Randall Avers and Benoit Albert, came and played a stunning gig in the shed. Their reason for coming to the UK from Norway and France was to rehearse music for the film –
THE UNKNOWN
• live music performed to Tod Browning’s classic silent film “the Unknown (1927)”
• LFM score including music by Ravel, Granados and DeFalla
• violin and 2 guitars
The score was co-commissioned in 2012 by The Austin Classical Guitar Society and the Alamo Draft House and premiered at the Laguna Gloria in Austin.
It received a nomination for Best Chamber Music Performance by the Austin Critics Roundtable.
Here is a link to the performance

Personnel
Randall Avers/Benoit Albert, guitars
William Fedkenheuer, violin
Todd Waldron, audio
Arlen Nydam, camera, film editing.

The Mandolinquents in the Shed

 

Mandolinquents Trio

Last year, just before Christmas, we had a shed party which was rather special. Simon Mayor and Hilary James joined me in the shed to play trios. The fourth member of the Mandolinquents, Richard Collins (banjoist and polymath) found himself playing with Joe Brown and we were reduced to a trio.

Here is an excerpt of that gig, complete with colourful clothing!

Some more Mandolinquents with everybody


Chopin Minute Waltz


Kisses


Buttermere Waltz


Grieg Rigaudon

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Oxford Guitar Society

The OGS is going great guns at the moment – Haydn Bateman and Jack Hancher, both at the Royal College of Music in London and ex alumni of the National Youth Guitar Ensemble will be playing on Sunday 8th Feb in Sandford Village Hall, near Oxford.
Daniel Stachowiak has already played twice for them, and they have put on concerts in Oxford for Cheryl Grice, Ray Burley and John Mills, amongst others.

Here is a gallery of some performances.

The society owes its renaissance to the work of a dedicated committee and the time given by :

Patron
Raymond Burley – raymond@raymondburley.com

Secretary

Stephen Greenslade – secretary@oxfordguitarsociety.org.uk

Treasurer

Adrian Williams – treasurer@oxfordguitarsociety.org.uk

Website

Lester Backshall – webmaster@oxfordguitarsociety.org.uk

If you are in the area, please do come along!

 

Craig Ogden and Xue Fei Yang in the Oxford Sheldonian Theatre – fun interview

Happy New Year everyone

Outside the Sheldonian

I have known both Craig and Fei for a very long time (I met Craig in his native Perth when he was 14 years old and Fei in Hong Kong on a visit from Beijing when she was 13!) and it was a delight to listen to both of them on top form playing duets and solos in Oxford’s beautiful Sheldonian theatre last November.

Here is the programme

Solos and duets by PiazzollaDe Falla,?Barrios, Pernambuco, Nigel Westlake & Giuliani

Australian born guitarist Craig Ogden returns to the Sheldonian with his effortlessly brilliant, laid-back performance style. His recordings of both classic and contemporary guitar repertoire have received wide acclaim.

Since Xuefei Yang last played for Music at Oxford (in a Chapel Series concert in 2010), she has shot to stardom, and is now acknowledged to be one of the foremost guitarists of her generation, developing new repertoire for the instrument through ingenious arrangement and commissioning.

A rare opportunity to see these two exceptional guitarists join forces. This concert will take us on a musical journey from the classical guitar’s beginnings in Spain to Brazil, Argentina and Australia.

 

The Westlake was new to me – very listenable and effervescent writing. The Piazzolla and Falla were dispatched with virtuosity and a sense of ensemble which rivalled that of more experienced, regular duos.
The solos were also brilliantly played, highlights for me being Fei’s transcription of a traditional Chinese tune – Fishing boats under the moon – and her rendition of a piece by Paco de Lucia.

Craig and Fei