Please, don’t lock up prisoners’ guitars too – Billy Bragg and others


Letter in the Guardian:

As musicians, we are concerned to hear that the use of steel-strung guitars is being prohibited in prisons. We believe music has an important role to play in engaging prisoners in the process of rehabilitation. However, this ability will be seriously undermined if inmates are unable to practise between group sessions.

As most guitars owned or used by inmates in our prisons are steel-strung acoustics, this ruling will mean that these instruments are kept under lock and key until time for a supervised session, if the prison in question has provision for musical tuition.

The stipulation that only nylon strings can be used will not alleviate this situation. There are several practical reasons why nylon strings are not suitable for a steel-strung acoustic guitar, not least the differing methods by which nylon and steel strings are attached to the instrument.

We understand that there must be security protocols when steel-strung guitars are used in prisons, but, until this ruling, access has been at the discretion of staff.

There has been a worrying rise in the number of self-inflicted deaths in the period since this ruling was introduced. Since October 2013, when only one death was reported, there have been a total of 50 self-inflicted deaths, over double the figure for the same period last year.

We would like to know whether the recent changes to the treatment of prisoners – which includes restrictions on books and steel-strung guitars – could be at the root of this steep increase in fatalities.

We urge the minister for justice, Chris Grayling, to urgently look into the causes of the rise in self-inflicted deaths in prison since the introduction of the recent prison service instruction and to explain why steel-strung guitars have been singled out for exclusion.

Billy Bragg Jail Guitar Doors, Johnny Marr, Speech Debelle, Dave Gilmour, Richard Hawley, Scroobius Pip, Guy Garvey, Ed O’Brien, Philip Selway, Seasick Steve, The Farm, Sam Duckworth

Thanks to Nigel Warburton for bringing this to my attention

There’s a Menuhin Test?!

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Having spent some time with child prodigy guitarists in China, the following article in the Spectator struck a resonant chord with me – probably putting a strain on my own sense of loyalty as well as East-West relationships!
NYGE is also no stranger to the Yehudi Menuhin School (which has a similar background ethos to the Menuhin Test). As well as using the school for our courses and concerts, we have also had talented musicians from its students.

‘The truth is,’ says Gordon Back (the legendary accompanist for Yehudi Menuhin) , lowering his voice, ‘that if the violin finalists from the BBC Young Musician of the Year were to enter the Menuhin Competition, they wouldn’t make it to the first round.’ Not through the first round, note, but to the first round: they wouldn’t be good enough to compete.

Back is artistic director of the Menuhin, held every two years in a different country. In effect, it’s a search for the next Yehudi Menuhin, who recorded the Elgar concerto with the composer at the age of 15.

Contentious words and I often wonder about why Eastern musicians have taken so readily to Western classical music. It isn’t a question of lack of cultural background either.

Here’s an interesting story…
and here’s an article on (mis)appropriation to stir your little grey cells this Sunday morning.

Carlos Bonell: live concert playing Sor, Villa-Lobos, Tedesco, Granados, Rodrigo, & Malats

selftaughtgirl’s recording of a radio broadcast of a lunchtime recital from St George’s, Bristol, UK, by Carlos Bonell in the late 1980s early 90s.
Sor: Andante Largo Op 5, Variations on “Marlborough s’en va t’en guerre” Op 28
Villa-Lobos: Study No 11 and Prelude No 5
Tedesco: Sonata “Homage a Boccherini”
Granados: La Maja de Goya
Rodrigo: Fandango
Malats: Serenata Espanola

Here’s a video of Carlos with Paul McCartney discussing the origin of “Blackbird”!
Nice one, Sir Paul!

INTERNATIONAL GUITAR RESEARCH CENTRE (IGRC) 29th and 30th March

NEWS

In March 2014, the University of Surrey will launch the International Guitar Research Centre. The research centre aims to establish an international hub for guitar-centred research in all styles of music.

Surrey has had a strong association with the guitar since the 1960’s when Reginald Smith-Brindle was Professor. In more recent times, the Guildford Guitar Weekend has become a permanent fixture in the annual cycle of significant guitar events in the UK. The University has a large cohort of guitarist PhD students and alumni.

The research centre will work in close affiliation with various partner institutions including the IGF (International Guitar Foundation, King’s Place, London), the IGRA (International Guitar Research Archive, CSUN, Los Angeles, California) and the University of São Paulo (Brazil).

The launch will comprise a two-day event on 29th and 30th March that will include academic papers, seminars, public discussions, lecture-recitals and concerts. Guest artists will include John Williams, Xuefei Yang, The Amadeus Guitar Duo, Bridget Mermikides, Declan Zapala and Michael Partington.

Here is the programme

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